A
NEW EXHIBIT AT THE MUSEUM OF THE MOVING IMAGE CELEBRATES JONES'S CREATIVE
GENIUS.
Most six-year-olds
addicted to Saturday morning cartoons don’t know much about the man behind
beloved characters like Wile E. Coyote and Roadrunner, or about the painstaking
work that went into making Bugs Bunny chomp carrots and say “What’s Up, Doc?”
For three decades,animation director and artist Charles
Martin “Chuck” Jones was
the mastermind behind these mania-filled classic cartoons. The
Animation Art of Chuck Jones,
a new exhibit at New York’s Museum of the Moving Image, celebrates his
creative genius. It features 23 of the 300 animated films he directed,
including How the
Grinch Stole Christmas, as well as 125 original sketches,
storyboards, animation cels, and photographs. Here, four things you probably
didn't know about Jones, who died in 2002:
“He
had a lot in common with all the characters he created,” Barbara Miller, the
exhibition’s curator, tells Co.Design. “He was concerned with bringing out
their relatable aspects. He wasn’t just looking for laughs or a quick joke--he
brought the characters to life not just mechanically, but with a humanistic
approach. It makes his work stand out.” Animation was one of the more tedious,
labor-intensive art forms--a seven-minute cartoon required 300 layout drawings,
in pencil on paper, then hand-painted. It required a specific kind of vision to
turn this jumble of still images into living, breathing characters.
HIS RELATIONSHIP
WITH DISNEY WAS . . . COMPLICATED.
Jones was, like most
animators of his time, influenced by Disney--but his work also reacted against
Disney in many ways, rejecting its cutesiness. “In a way, Chuck’s cartoons were
more hardboiled, their humor had more of an edge to it,” Miller says.
“Characters lost their cuteness early on for Chuck. They became more
relatable.” While he didn’t invent Bugs Bunny and Daffy Duck--they’d been
featured by Warner Bros. before his tenure--he perfected their styling and
personalities.
HE WAS INSPIRED BY
ALL KINDS OF COMEDY.
His influences also
came from outside the world of animation--he was inspired by everything from
Mark Twain novels to physical comedians like Charlie Chaplin and Buster Keaton
to opera. The latter led to shorts like What’s Opera, Doc?
HE INSPIRED MANY OF
TODAY'S ANIMATION GREATS.
Jones deeply
influenced today’s animators: Pixar cofounder John Lasseter, who directed Cars,
Toy Story, and Monsters Inc., cites Jones as an enormous inspiration. Despite
more sophisticated 3-D animation replacing the flatter graphics of Jones’s era,
“His work does not feel dated even one iota,” Miller says. “The cartoons are
really timeless. They’re as funny today as they were back then. I don’t think
Bugs Bunny is going anywhere.”
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